DESIGN PRINCIPLES - PROJECT 01: SELF PORTRAIT


21/05/2020 - 05/06/2020 (Week 6 - Week 8)
Rifath Ali (0335738)
Design Principles
Project 01

LECTURE NOTES

Lecture 06: Self-Portrait

Self-portraits a re a representation of the artists in a form of a drawing, painting, sculpture, design. Simply put, a visual depiction of the self. This can be achieved through various narratives:

  • My experiences
  • My interests
  • My thoughts
  • How others see me (Physical traits and personality)
  • How I see myself (Physical traits and personality)
Fig. 1.01: Self Portrait, Lacey Bryant

Fig. 1.02: Self Portrait, Ziqian Liu

Fig. 1.03: Self Portrait, Alexis Franklin


INSTRUCTIONS


Project 01: Self-Portrait

For our project 01, we were tasked with creating a self-portrait in A4 size which any medium of our choice. We had to apply the design principles from previous lectures and explore different ideas. At the end of the project, we were asked to write a 150 to 200-word rationale for our final idea.

As per instructions, I started off by creating a mood board for our designs. I had 2 main concepts for my design: Botanical, or Head in the clouds.

Fig. 2.01: Mood Board; Botanical

Fig. 2.02: Mood Board; Head in the clouds

Out of the two concepts I had, I felt that I have overused the plant theme. So, I decided to go with my 2nd idea, Head in the clouds.

Out of the two concepts I had, I felt that I have overused the plant theme. So, I decided to go with my 2nd idea, Head in the clouds. What I mainly wanted to portray in the design is how I see myself as an independent adult and a nod to my experience and interests.

I started off with tracing my torso. I used one of my images and a reference image for the body. I used mainly gradients to fill in the design, which was also used to create a bit of form and depth.

Fig. 2.03: Process 01; Torso

I cut out a par of the chest in the shape of a heart to show my love of plants.  But once I put the plant in there, it was not clear that its shaped like the heart. So, I elevated the part that was cut out from the chest to make it look like its floating.

Fig. 2.04: Process 02; Heart & Plants

I added a few clouds to the design with a blue gradient in the background. Then I used circles to create the swirl which brings in movement to the design.

Fig. 2.05: Process 03; Swirl Movement

I consulted with Miss Anis to get her feedback on my progress so far. I explained to her why I decided to stick with my second concept. She said everything was so far so good. She also asked to cover up the lover part of the torso instead of having a dismantled torso floating in the sky.

While thinking of ways to improve the design, I felt that the plants I used were too flat and bland. So, I decided to sketch one my favorite flower and trace over it. I used gradients to fill in the flowers.

Fig. 2.06: Process 04; Lilly Flower  

Fig. 2.07: Process 05; Lilly Flower fill & placement

Next, I needed a seaplane aircraft to link the design to my experience as a flight attendant. I found an image I liked and traced over it. I used the original colors and design of the seaplanes I used to fly in.

Fig. 2.08: Process 06; Seaplane Tracing

Fig. 2.09: Process 07; Seaplane Fill

After placing the aircraft on the artboard, I angled the swirls a bit and changed the color to white. I also used Gaussian blur to make it look like a trail of condensed water left by the aircraft.

Fig. 2.10: Process 08; Swirl Movement

I added the clouds, some to the background and some to the foreground. I did this to give more depth to the design. As per the feedback I got from Miss Anis, I covered the cut-off point of the torso with a streak of clouds.

Fig. 2.11: Process 09; Clouds

Next, I wanted to give more form to the subject. However, I don’t have much experience in creating form in my designs. I tried to mark the muscles and areas where the light would be different. After marking them, I mainly used gradient fill and Gaussian blur to blend it into the rest of the body.

Fig. 2.12: Process 10; Form

Fig. 2.13: Process 11; Form Blended

Applying the shadows was the only remaining task. I started off with creating the shadows of the flowers on the chest and on the other petals as well. Lastly, I added the shadow of the swirl casting on the body.

Fig. 2.14: Process 12; Flower Shadows

Fig. 2.15: Process 13; Swirl Shadows

Final Artwork

Fig. 2.16: Final Artwork; Head in the Clouds (JPEG)

Fig. 2.17: Final Artwork; Head in the Clouds, Rationale (PDF)


FEEDBACK

On my first consultation session, Miss Anis liked my design and gave feedback to cover the lower part of the torso. Once I finalized the design, I showed it to her once again to see if I can improve on anything. She said everything looked good and to proceed with submission. 


REFLECTIONS

This was an interesting project as it makes us look deeper within ourselves. I was able to portray my experiences, interest, and feelings in one artwork. I also learned a bit about creating form and depth in artworks along the way. I am very satisfied with the final output in relation to my time and effort.

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